MARK WAGNER: Collective S1-024

Johnny Dowmbrowski: Collective S1-021


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Al Diaz "SAMO©…4-U…Jean-Michel Basquiat" - Limited Edition, Archival Print - 18 x 24"

SAMO©…4-U…Jean-Michel Basquiat • Autographed archival pigment print • Printed on Hahnemühle Fine Art Baryta 325 GSM fiber paper • 18 x 24 inches

Hand-signed, numbered, dated and titled by artist Al Diaz in a limited edition of 25 • Example: # /25

House of Roulx blind embossed stamping • Authentic Edition rubber stamp on verso • Letter of Authenticity


Al Diaz aka Bomb 1’s career spans five decades. A prolific and influencial first generation NYC subway graffiti artist, who later became a text-orientated street artist. He co-founded the mythical art duo SAMO© with the iconic Jean-Michel Basquiat. The pair used the title, accompanied by short phrases, in turns poetic and sarcastic, spray painted on the streets of downtown Manhattan starting in 1977. 

Art curator and critic Jeffrey Deitch called it “disjointed street poetry” and remembered that “back in the late seventies, you couldn’t go anywhere interesting in Lower Manhattan without noticing that someone named SAMO© had been there first.” One Basquiat biographer noted that "while some of the phrases might seem political, none of them were simple propaganda slogans. Some were outright surrealist or looked like fragments of poetry." Al recognized the original intelligence in their work: “The stuff you see on the subways now is inane. Scribbled. SAMO© was like a refresher course because there’s some kind of statement being made. It’s not just ego graffiti.” The project would cumulate in early 1980 with the final "SAMO© IS DEAD" tags being issued immediately before Basquiat shifted his focus towards canvases and gallery work, making it a pivotal point in the art world. 

House of Roulx is honored to partner with Al to release a series of never before published photographs of a teen aged Basquiat taken by Diaz in late 1976 when the pair first met as high school students at City-As-A-School in Brooklyn Heights. Diaz notes, “He [Basquiat] often wore a beret and held his pants up with rainbow suspenders - it was the ’70s. He was very independent.” The photographs, reproduced from Al’s personal scrapbook, showcase an intimate perspective of their relationship and feature Jean-Michel in his signature wardrobe. 

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Hand-Signed, Numbered, Dated and Titled by Al Diaz

Limited Edition of 25

Hahnemühle Fine Art Baryta 325 GSM fiber paper